Vinod Mehra comes rushing to stop his wife from leaving. It takes a whole lot of havoc and heartbreak before Smita Patil realises her mistake and contribution in a young woman's exploitation and pleads to join her long-time admirer Naseeruddin Shah on a train to Mumbai.ĭecades before Rachel Green declared 'I got off the plane' and made Ross the happiest guy alive, Rekha did the same in Ghar. The sheer joy and relief Naseeruddin Shah feels on discovering his entire family at the railway station car parking and wife Shabana Azmi's acceptance of his illegitimate child more than makes up for the tearful goodbye between the father-son minutes before. Starring Sunny Deol and Poonam Dhillon, this remake of Tamil drama Kizhakke Pogum Rail shows the characters fleeing from a mob of angry villagers, following the disruption of a regressive ritual, in a desperate attempt to board the titular train and get far, far away. Though the scene bears uncanny resemblance to DDLJ, the circumstances could not be wilder. Set around 1984's Bhopal gas tragedy, Mahesh Mathai's poignant drama provides some relief for its key protagonist when he discovers his wife alive and breathing alongside an orphaned infant amidst a mass of corpses - victims of the toxic chemical leak - lying on the railway station. For a moment, it seems she's late, but he gets off and the lovebirds are back in business. In Karan Johar's take on NRI-based extra-marital affairs, the cheating parties are awarded with a rare happy ending.Īs soon as Rani Mukerji learns Shah Rukh Khan is about to get on a train and leave New York for good, she rushes to tell him she's single without guilt. It eventually happens though, dangerously close to an open train door, in true blue Bollywood style. In this action-packed mobile phone romance build around the confusion of voices and betraying messengers, Salman Khan and Kareena Kapoor aren't reunited till the very end.
At the end of the mystery, they're on a train again in hope of happy days and happier destinations.
It's inside a railway compartment Nawazuddin Siddiqui's cop first lays eyes on Radhika Apte and stops her from committing suicide. Repeating a setting where the leads first met in the final scene is a favourite trope of film-makers.
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